Digital Fabrication Residency Part 2

Learning new software is HARD. Good thing I have top notch teachers who are very patient (not to mention entertaining). We started off in SketchUp, which is free, and then transitioned to Modo, which is way more complicated and entrancing. Learning hot keys and how to navigate through the virtual space has become second nature. I’m still getting my bearings with how to purposefully manipulate the three dimensional objects, but happy accidents are pretty cool too.

My hands-on brain has been struggling with virtual thinking, so I made an intermediary design as a stepping stone. I knew I wanted something that could interlock and was thinking about vertebrae. I realized the vertebrae looked kind of like a hexagon with three arms jutting out so I ran with that. For the interlocking mechanism, I was feeling nostalgic and thinking about barrel of monkeys:

So I started out with a hexagon shape and added candy cane crooks to each corner:

Then I modified each of the straight lines to come up with a more organic looking shape:

This bad boy has now been printed and I’m planning on making a mold to mass produce it and turn it into a 3D textile print of sorts. Hooray for baby steps!

In other news…

I’ve been researching exciting textile work through and other online forums. Seeing the Quilt (R)evolution show at the Dairy Barn in Athens, OH was insanely inspiring. It’s amazing to see the skills artists acquire through decades of practice in such tiny, precise stitching. I was repeatedly berated in art school for my interest in textiles because of all its art history baggage, but I just really love working large and am hopelessly drawn to the process of quilting. One of the new ideas I had for a quilt was inspired by the Dairy Barn show and this work by Zoe Sargent:

I still have laser cut circles left over from Calavera and it would be sad to let them waste away in a drawer. The novel idea of holes in a quilt inspired me to play with the notion of relocating missing circular pieces. I’ve been interested in inversion for a while.

50″x40″ 2009

Plus, my hands are itching to play with material! The endless cycle of textile –> print –> textile creates a plethora of lost-in-translation-moments-of-beauty.

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Digital Fabrication Residency Part 1


This week marks the beginning of a six week virtual residency that I’m super excited to be a part of. It’s called the Digital Fabrication Residency and encapsulates exactly what I want to learn. Taking classes at TechShop Pittsburgh has been great, but I want to get into the nitty gritty of creating files and putting my personal touch on the things I digitally fabricate. The two people behind the Digital Fabrication Residency are super cool extremely knowledgeable folks who have put a lot of thought and preparation into this residency. Since this is the first run I’m part of the guinea pig BETA group.

My initial list of goals for the residency keeps growing! It’s going to be a very busy six weeks. One interesting tidbit is how much overlap there is between textiles, printmaking, and digital fabrication. All of those things interest me a great deal, but I didn’t realize how much they shared conceptually before beginning this residency.


  • make cool stuff!
  • push SCALE (i.e. go big or go home)
  • textile patterning in Illustrator
  • Spoonflower (custom fabric printing website)
  • digital embroidery (embroider on wood veneer, felt, cardboard (then turn flat planes into 3D sculpture))
  • felting?
  • Photoshop texture displacement with color blindness tests
  • amplify 3D printing file creation skills in SketchUp and Modo
  • master the pen tool in Illustrator
  • make files for ShopBot
  • combine 3D printing prototype with silicone mold to mass product an interlocking building block
  • colorblindness test animation in SketchUp

The spirit of play is my main motivator. I’ve already learned a LOT in the first three days and I’m sure the explosions in my brain will continue! The first workshop covered some basics in SketchUp, which I had never used before. Learning how to navigate in three dimensions using a mouse was the trickiest part!

sketchupThis image is a sketch I made translating my obsession with mazes into three dimensions. I know it doesn’t make sense to actually print because of all the support material that it would require; however, we did learn about the artist Rachel Berwick who uses support material in an interesting way.

Rachel Berwick

My plan for boosting my SketchUp skill is to try to recreate this ceramic piece:


…we will see how far I get…

I’m also noodling on different kinds of connectors to come up with an interlocking 3D printed prototype that I can cast and create a mutable sculpture. Something related to vertebrae and stackable chairs…

Screen shot 2014-09-17 at 7.16.57 PM

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Cross Country Quilting

It all started with this print.

 I’ve been interested in color blindness tests for a while and am currently working on a series of screen prints. This reductive screen print has seven colors.

screen printing

screen printing

After interacting with the extremely talented quilting artist Luke Haynes as a MITCH Collective visiting artist, I decided to challenge myself and translate the print into a very large-scale quilt. I set out to make something for my bed, but got carried away and just kept making it bigger and bigger…

16 yards of fabric went into making the background

I sketched out a modified chevron pattern for the back ground and used my geometry skills (yay Math!) to create a pattern.



optical illusion background

I collected a variety of clothes from thrift stores and used a laser cutter at TechShop Pittsburgh to cut them out into a variety of circle sizes. If you haven’t heard of TechShop, check them out! It was recently featured on NPR in a story about the rise of community access maker spaces.

lasers are awesome

After I laid out all the circles into the background, I safety pinned all of them and then meticulously turned all the raw edges under and hand stitched them into place. This was by far the most time-consuming part of the process. I estimated there are 400-500 circles, but I couldn’t bring myself to count them.

hand appliqued circles

The whole reason I was working so large was because I knew I would have access to a long arm quilter at the TechShop San Jose location. After a crash course on how to use the machine, I fired it up to practice my free motion quilting on a test piece. This was my first time doing free motion quilting. Using it on such a precious project was like throwing a baby bird out of the nest and just hoping it would fly.

practicing free motion on the Avante quilting machine

I love drawing with thread! After a short test-run, I loaded up the quilt onto the rollers and set to work. TechShop San Jose was my cozy new home for the four quilt-filled days I spent there.

all three layers loaded onto the rollers

all three layers loaded onto the rollers


I used King Tut Canaan and King Tut Temple thread from Superior Threads for the grey and white areas and a clear monofilament thread to stitch around all the circles. Thank goodness for invisible thread! Machine stitching around circles perfectly is almost as hard (and impossible) as hand stitching them.

stitching detail

stitching detail

The finished piece measures 100″x100″ and I’m super thrilled about it. This lovely portrait was taken by the all-around fantastic San Francisco photographer Alex Huff days after I finished the machine stitching. Calavera will be on view in Pittsburgh, PA at Revision Space gallery in a group show entitled The Enduring Skull opening on October 31, 2014.

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SGC Printmaking Conference in San Francisco

MITCH Collective set up a vendor booth at last week’s SGC Printmaking Conference in San Francisco. We promoted our residency program to many talented printmakers and challenged passers by to try their hand at assembling seven tangram shapes into a square.

tangram puzzle challenge

tangram puzzle challenge

We met lots of interesting folks and reconnected with friends from yesteryear!

vendor fair set up

vendor fair set up

As part of the conference we toured Paulson Bott Press in Berkeley, CA and saw a demonstration on how to translate Gee’s Bend quilt tops into etching prints.

quilt top soft ground etch

quilt top soft ground etch

In St Louis, I met some of the ladies from Gee’s Bend and took a quilt top workshop from them at the Missouri History Museum. It was very inspirational!

Paulson Bott Press

Paulson Bott Press

Seeing quilting combined with printmaking was a great crossover between two of my art loves.

quilt top proof print

quilt top proof print

There were many exhibitions around the bay area in conjunction with the conference and this piece by Kouseki Ono was a stand out. It is 100 layers of oil based screen printing ink and it creates a very three dimensional effect.

100 layers of oil based silkscreen ink

100 layers of oil based silkscreen ink

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Lovescaping Project in Downtown Wheeling

The Ohio Valley Young Preservationists have brought affection to the streets of downtown Wheeling for the 2nd Annual All You Need is Love campaign. For the month of February, 30 buildings have been adopted by local groups to get people to notice and appreciate them.

Located at 12th and Market you’ll find an installation of Osculation Diagrams on the windows of the McClain building. These vinyl stickers were cut out at TechShop Pittsburgh on the CNC Vinyl Cutter. The diagrams were originally 6″x6″ calligraphic drawings made from interview data about how people categorize everyone they have ever kissed. The final size is 22″ on the smallest side.

Here are some process images of the installation. Click an image to zoom in. Click here for instructions on how to read the diagrams

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Luke Haynes Artist Residency

Last month, supremely talented artist Luke Haynes participated in a two week residency at MITCH Collective.

LUKE is an artist to watch. He is up-and-coming while continuing to innovate and design new ways to create art. His work is currently hanging in the Brooklyn Museum as well as the Newark Museum and the Headquarters of the Bill and Melinda Gates foundation just to name a few. He shows across the country and internationally.
Haynes has lived in 14 states, he is currently living in Los Angles California. He studied architecture at Cooper Union in New York and considers his fabric art to be an architectural method of images creation.
His works can be classified as quilts since they follow the traditional methods of construction, but they are much more. His concepts and images pull from the annals of historical painting and sculpture but are also allowed to pull from craft and the domestic since the medium is atypical, this allows for pieces that have multi layers of visual as well as conceptual intrigue.

Luke likes to work with found textiles and after exploring the Wheeling area wanted to emblazon one of the buildings on a blazer.

He was interested in experimenting with screen printing, especially after viewing the Andy Warhol Museum in Pittsburgh.

During the two week residency, there were two quilt shows.

A solo show in St Clairsville, Ohio at Ohio University Eastern (above) and a group show in Wheeling, West Virginia at the Wheeling Artisan Center (below) featuring Joe Cunningham, Leslie Tucker Jenison, Erin Wilson, and Luke Haynes.

The Children’s Museum of the Ohio Valley welcomed Luke to lead a kids activity related to quilting. The kids wove colored strips of paper into different patterns.

There was also a special presentation in Pittsburgh at Techshop. Luke gave an artist talk and trunk show, sharing his process and some of his past projects. The audience got a chance to see the quilts up close, which added a lot of pop to the presentation.

Thanks to Luke for being a bundle of fun and inspiring so many people during his stay! The residency program is all about bringing talented people into the Ohio Valley to make work and share their talent with the community.

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Children’s Museum of the Ohio Valley Screen Printed Wall

What do you get when you take a lemon yellow wall and jazz it up with hot pink ink?



This screen printing project took place at the Children’s Museum of the Ohio Valley. The 25″x36″ screen was made by cutting vinyl on a giant plotter at TechShop Pittsburgh and then sticking it onto the back of the screen. The vinyl method worked really well since the logo was so large and lacked tiny details.

The layout was inspired in part by the famous Andy Warhol cow wall paper:

Cow Wallpaper

Andy Warhol inspiration

jamboree logoThere’s a big Jamboree USA sign painted on the back of the Capitol Theater in Wheeling WV that provided inspiration for the Children’s Museum logo that I designed.

Americorps volunteers held the screen in place as I awkwardly pulled the squeegee from left to right. The prints were just the right amount of imperfect. Andy would be proud.

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